11 de la noche en Managua, Nicaragua (me gustas tu)
‘11 de la noche en Managua, Nicaragua (me gustas tu)’
2025
30cm x 2cm (12"x8")
acrylic and oil on canvas. painted sides, ready to hang.
FREE SHIPPING
Please note: Colors may appear slightly different depending on your screen or device settings.
“11 de la noche en Managua, Nicaragua (me gustas tu)” is a 12"x8" acrylic and oil painting by Mayah Holmberg. Featuring soft orange, peach, deep violet, and cobalt blue, it captures the vibrant yet complex spirit of the tropical capital. Inspired by the artist’s childhood hometown, this evocative abstract reveals beauty beneath the city’s unassuming surface—perfect for collectors drawn to story-rich contemporary art.
‘11 de la noche en Managua, Nicaragua (me gustas tu)’
2025
30cm x 2cm (12"x8")
acrylic and oil on canvas. painted sides, ready to hang.
FREE SHIPPING
Please note: Colors may appear slightly different depending on your screen or device settings.
“11 de la noche en Managua, Nicaragua (me gustas tu)” is a 12"x8" acrylic and oil painting by Mayah Holmberg. Featuring soft orange, peach, deep violet, and cobalt blue, it captures the vibrant yet complex spirit of the tropical capital. Inspired by the artist’s childhood hometown, this evocative abstract reveals beauty beneath the city’s unassuming surface—perfect for collectors drawn to story-rich contemporary art.
‘11 de la noche en Managua, Nicaragua (me gustas tu)’
2025
30cm x 2cm (12"x8")
acrylic and oil on canvas. painted sides, ready to hang.
FREE SHIPPING
Please note: Colors may appear slightly different depending on your screen or device settings.
“11 de la noche en Managua, Nicaragua (me gustas tu)” is a 12"x8" acrylic and oil painting by Mayah Holmberg. Featuring soft orange, peach, deep violet, and cobalt blue, it captures the vibrant yet complex spirit of the tropical capital. Inspired by the artist’s childhood hometown, this evocative abstract reveals beauty beneath the city’s unassuming surface—perfect for collectors drawn to story-rich contemporary art.
